Sunday, March 27, 2022

And Scene! Wrapping up 2021 Oscar Gluttony

Thank you for reading and commenting and being with me on my journey once again. I managed to watch every nominee this year. I finished my final film at 2 pm on Oscar Sunday, watching the documentary, Writing With Fire on my laptop via Vudu! Whew! Now I'm sitting down to eat cheese, apples and cinnamon honey while the red carpet gets kicked off.

I am still super pissed that the Academy decided to sideline several awards in order to 'save time' and appease the masses. They took out Film Editors, so I'm going to be fuming for awhile. But I am no less angry that the Short Subject films will not be included. To be clear, they will show us the winners, but they will pre-record them. Dumb.

I'm not giving my picks this year, I just want to call out my favorite moments in the films I have watched.

My awards go to:

Andrew Garfield belting out a song

Ariana Dubose dancing with so much flare

Kenneth Branaugh's intense and claustrophobic compositions

A daughter signing her song for her father in Coda

The majesty and detail of Dune being brought to the screen

Ariana Grande singing Just Look Up

A couple not cheating in The Worst Person in the World

Olivia Colman and Jessie Bickley showing me real motherhood on screen in The Lost Daughter

The total mania of The Mitchells vs. The Machines

The joy of Free Guy

Enjoy the broadcast if you choose to watch! Good luck to all of you with Oscar ballots!

Writing With Fire

Movie: Writing With Fire

Nominated for: Best Documentary Feature
How I watched: Vudu
When I fell asleep: No, watched in a panic right before the Awards
When it had me: Women Journalists
When it lost me: It didn't
What I have to say:
A documentary that made me both hopeful and sad. It is amazing to see low caste women in India get educated and dedicate themselves to journalism and a belief that they can make a difference in this world.

They are struggling against a political climate that is becoming more religion based and with attacks on journalists, including these women, with personal threats and claims of fake news. It is sad for me to realize that the push toward right wing politics, authoritarian government and fewer rights for women is a global problem. It makes me wonder what hope we have of resisting the rising tide. I guess watching these women work with amazing integrity and bravery can give me the courage I need to keep up the faith.

Spider-Man: No Way Home

Movie: Spider-man: No Way Home

Nominated for: Best Visual Effects
How I watched: AMC
When I fell asleep: No, silly
When it had me: Gen Z
When it lost me: I can't recall
What I have to say:
This was the LAST film we saw before omicron hit. I knew we were taking a risk and I was freaking out. I was wary of this film. The others have been good, we were due for a bad Marvel film, even after The Eternals came out. I felt like this would flop. I was wrong.

I felt like I didn't want to see Tobey McGuire and Andrew Garfield come back. I was wrong, again. I did! I did want to see them. I want to thank Marvel for bringing the Gen Z vibe into the Marvel universe. Watching the older Spider-Men grapple with their feelings of self worth, guilt, shame and PTSD is exactly what I needed and loved about this movie. It was done lightly enough but it also brought such human, behind the scenes look at the darker aspects of what being a superhero might be like.

I was surprised that we had to have a Spider-Man origin story built into this movie. It feels like I've seen so many times and with this incarnation of Spider-Man already having left the planet and blipped and all, it just felt unnecessary but, whatever.

Overall, Marvel is still doing their thing and doing it well.

Saturday, March 26, 2022

Lunana: A Yak in the Classroom

Movie: Lunana: A Yak in the Classroom

Nominated for: Best International Feature
How I watched: On Demand
When I fell asleep: I did not
When it had me: Opening shot
When it lost me: It didn't
What I have to say:
This movie starts with a grandmother chiding her twenty-something grandson for his laziness and ranting in a sort of "kids these days" vein. The movie supports her hypothesis by having his boss tell him he is the laziest of all teachers and in answer to that she is sending him to the world's most remote school for the final year of his contract. The school is in Lunana in the mountains of Bhutan at 15,000 feet elevation.

I imagined the movie would then devolve into hearty rural people laughing at an idiot city boy until he learns first hand that country folk are better. That might be what the American version would do. This movie shows more restraint than that. There is a learning curve for the kid from a softer, civilized life but he steps up quickly when he sees the need of the village children. 

I felt the movie made a fair case of demonstrating what we have lost as a species as we have wandered farther away from our tribal roots, without falling into the trap of over-romanticizing life in a mountain village with a population of 53. There is so much that they don't have and I didn't get the feeling I was supposed to end the movie feeling that we should all live in remote villages, necessarily. But through the sparsity of their life, we can see more clearly what they do have: connection to each other and the land, deep gratitude, free time and a relationship to their own creativity and talent for the sake of it, rather than as a commodity.

It is fun to see the young man fall into the rhythm of the village so much so that he doesn't want to leave when his term has ended. Whether he chooses a life in the highlands or not, he has been touched by these lessons and they will change his life forever. They are lessons that I think we could all benefit from, even if we do still like our flush toilets. 

The film was shot on location in Lunana with the actual villagers who had never even seen a movie before. They used solar charged batteries to run the camera. It is important that the location is beautiful and breath taking but it is even more crucial that the people in the film are  so honest and real. You feel you are invited in to something sacred and special that was previously only known to a small community. Lunana: A Yak in the Classroom is something really special and I hope a lot of people get to see it.

Also? This is the most intriguing title of any film this year and the title did not let me down.

Four Good Days

Movie: Four Good Days

Nominated for: Best Original Son
How I watched: Apple TV
When I fell asleep: No
When it had me: Eh
When it lost me: Eh
What I have to say:
Every year, Diane Warren personally sees to it that I end up watching a film that is nominated solely for one of her songs. You never know where her music will pop up; often times it is not in the big nomination getters, but in outlying films.

This movie is about Glenn Close trying to get her adult daughter, Mila Kunis, off of drugs. I find these stories very moving because it is so gut wrenching to see families that simply lose a person to addiction. Once lost, they are so hard to recover!

The acting was solid, the plot drove forward and I felt a great deal of buy in and suspense as to whether their plan would work or not. All of this being said, I'm not sure why I don't feel like this was a GREAT movie. It felt more like a really amazing made for TV movie or a super grown up after school special. I guess its just a solid, workmanlike film that didn't quite transcend. If you like these actors, it's totally worth a watch.


Cyrano

Movie: Cyrano

Nominated for: Best Costume Design
How I watched: Laemmle
When I fell asleep: During one cold, wintry song
When it had me: Peter Dinklage
When it lost me: Frequently
What I have to say:
First off, can I just say that the parking garage I used was real sketchy and ended up charging me $15 for the two hours I was there and I will never think of this movie without that resentment creeping into my heart.

Secondly, this is a musical?? Oh! Ok. I've seen trailers for it and they successfully hid that from me. Is that something you generally want to hide from your audience? Or maybe is it good for people to know what they are getting into? Just curious.

Peter Dinklage is a great actor and not as great of a singer. I thought of Russell Crowe in Les Mis. No one let it affect that movie's success, but this one isn't doing as well. The core story between Roxanne and Cyrano is believable and sweet, charming and heartbreaking. The rest is hard to follow and clunky with those songs that don't function so much as songs as musical exposition and revelation. 

The song that landed best was "I want More" from Roxanne, pinpointing the emotional depth that women crave and has historically been so difficult for men to provide. Emotional depth has not been a celebrated hallmark of masculinity so it makes sense that it can more easily be found in a man who already finds himself an outlier to any traditional notion of "being a man."

As I said above, I did doze during a protracted song about war, in winter. (I recall falling asleep during a similar situation in Les Mis, as well.) This part of the movie was bereft of the connection and lift of Cyrano and Roxanne and so, for me, folded like a house of cards. 

Peter Dinklage is a fantastic actor and to see this story told with someone's real stature as the bar to love and self acceptance, rather then a comical prosthetic nose, is much more vulnerable and tragic. Society has told Cyrano so loudly and so often that he isn't even a real man that his own doubts are what keep him from feeling free enough to express his love. This lifts it out of comedy and sheds light on how the cruelty of the world stunts people's growth as humans. All of this is great for the story but unfortunately still got lost deep inside a clumsy musical.

Friday, March 25, 2022

Coming 2 America

Movie: Coming 2 America

Nominated for: Best Make Up and Hairstyling
How I watched: Prime Video
When I fell asleep: About halfway through
When it had me: Salt N Pepa
When it lost me: It never had me
What I have to say:
I was not a fan of the first movie. I didn't like a lot of things that I was supposed to like in the 1980s, so it makes sense. I did not want to watch this movie.

What I saw felt like half-hearted attempts to update jokes from a long time ago. Also, a lot of musical numbers, which surprised me. Early in the film they reference how last time the King changes the rules to update the kingdom so I knew they were going to have to update the rules so that the one truly competent, invested, intelligent and well trained character could be in charge and I just couldn't stomach a bunch of shenanigans before we got there, so I fell asleep. My husband says I made the right choice.

Also? Leslie Jones character straight up rapes the Eddie Murphy character and they never address it. They treat it as a kind of a blessing? Ugh. That's all I can take.

Hand of God

Movie: Hand of God

Nominated for: Best International Feature
How I watched: Netflix
When I fell asleep: I don't think so?
When it had me: Family details
When it lost me: Film maker details
What I have to say:
This film is about family and city and growing up. I enjoyed the family aspect of the movie most. There are interesting details and fascinating characters aplenty. There is a sister who never leaves the bathroom, a mom who enjoys pranks (like, really good ones) and a suitor with a voice box and a lot to say.

The city part of the movie is also fairly enjoyable, focused on locations, soccer and endemic crime. This all adds depth and texture to the tale. 

It is the growing up portion that I struggle with. Two significant women in the film are at first portrayed as interesting characters and then reduced to sexual stories that the aspiring director keeps in his pocket. They are now experiences for him to mine as he becomes a film director, in a way. It feels distasteful but not untrue. We writers and story tellers do nothing but mine the world around us from our own skewed perspective.

An interaction with his film making mentor turns into a weirdly bloviating tirade that might offer some worthy advice? But its handed out with such a feeling of over importance that it turned me off. I think  in trying to reduce a wealth of conversations into a couple minutes of pithy brilliance, the director has left out context and left me feeling cheated.

A film maker has taken the time to tell us a lot about how he grew up. I wish he also told us how he feels about that upbringing? How he views it differently now from the perspective of another time? How it informs his adult life. It felt like there was something missing.

Parallel Mothers

Movie: Parallel Mothers

Nominated for: Best Actress, Best Original Score
How I watched: Prime Early Access
When I fell asleep: No
When it had me: It got through the birth quickly
When it lost me: Final shot?
What I have to say:
This movie had me talking out loud to my TV.

"Are you sure that's a good idea?"
"Are you kidding me?"
"Oh, no. Now what?"
"You better think this through!"

Maybe it was just my mood but apparently, I was ENGAGED. There was mystery, intrigue, mistakes, causes and lots and lots of questions about family. The whole movie is an intricate web of musings on what makes a family. There are parents absent through choice and parents absent through circumstance, there are questions of blood relation versus bonding. There are obligations to ancestors long past and resentments for the people most close to you. It was a fascinating way to delve into all manner of familial relations. 

What really had me talking though, was in addition to the theme, there was a solid, driving plot. Stuff actually happens (I can tell I've been missing that from some of the selections this year) and you find yourself constantly reassessing how you would handle these same circumstances. The acting is really strong from all the main characters. Penelope Cruz does a formidable job of showing us a person with a LOT going on under the surface. She's not broadcasting out in big ways but we feel the shifting complexities at work in her. The specifics of her inner workings are not always seen but they are felt and appreciated nonetheless.

The one head scratcher for me was a shot at the end, when an excavated grave full of skeletons turns into the film's main characters lying in the mass grave. I was sort of lost until I looked up Spanish history. Spain is experiencing a current rise in the far right political forces there which Almodovar is connecting to a dark part of history where people were disappeared in the night and buried for their politics and beliefs. It makes sense to me now and it makes me sad that this fight is ramping up all over the world, not just here at home.

Thursday, March 24, 2022

Shorts

Live Action

Ala Kachuu - Take and Run

In which first a wedding is planned and THEN a bride is kidnapped for the occasion. Then generations of the groom's female relatives try to convince her that they ALL got married against their will but in time you will stop being angry and find happiness, if you are a good wife/woman/human. This film reminds me that patriarchy is pervasive on this planet and destroys everyone it touches. Strong film making choices.


The Dress

In which a little person wishes to be seen as a real person and more specifically touched. She bravely reaches out to a suitor, only to be raped and treated like filth. This film also reminds me that patriarchy is pervasive on this planet and destroys everyone on a deep fundamental level. I like they way they shot this film, as if from the fringes.


The Long Goodbye

In which a family prepares for a wedding celebration only to be rounded up by authorities and either kidnapped or shot in the street. Riz Ahmed then performs a poem or spoken word piece while dying. This film reminds me that patriarchy is often linked with white supremacy which also destroys everything. The movie does a great job of transitioning you from family drama to the intense fear of barely getting by as part of a marginalized group, the fewer was real. The switch to a performance piece at the end was very jarring. The poem was beautiful but I may have missed some of its power because I was trying to fit it into the narrative rather than just listen.


On My Mind

In which a man wishes to sing one last karaoke song to his beloved. There is an unreasonably, grumpy, control freak of a man but I'll refrain from linking him to the patriarchy for now. With touches of magical realism this film was sweet but not entirely unpredictable. 


Please Hold

In which a young man in a not too distant future is arrested, kidnapped and extorted by drones and automated phone systems, spending time in jail while barely ever speaking to a human. This film reminds me that patriarchy/white supremacy are supporting a prison system that is often based on profits and forever ruin a person's life, often when they haven't even done anything. I appreciated the heightened reality style of this film which effectively made the whole process seem quite absurd even though it is barely a metaphor.


Documentary 

Audible

In which a deaf football team and their classmates experience their final homecoming in high school. The editing and sound work in this short film were masterful. It is primarily about how deaf kids play football (and dominate) but the film makers allowed it to expand. It is also about how parents handle their children's deafness, it is also about mental health, it is also about leaving your cocoon, it is also about gay kids' struggles and grieving. I love how the football team was a way in to showing this community as many, many things, even though you might think the most important thing is deaf.


Lead Me Home

In which we learn about homelessness through the unsheltered people of three major cities. I wanted this to be a full length documentary; there is so much to sig into and understand about this issue. What this doc achieved was perhaps the most important part: reframing people on the streets as actual human beings. Each one is an individual with a story and dreams and heartbreak; each one is deserving of something better and needs a unique form of help and support. 


The Queen of Basketball

In which I learned that Lusia Harris was approached to be drafted into the NBA! WHAT??!! This is the story of the greatest female basketball player prior to the WNBA. She is a dynamic and infinitely charming character that tells her own story with grace, frankness and a hint of mischief that never leaves her. Very delightful.


Three Songs for Benazir

In which we follow the young marriage of two Afghani refugees living in a camp after their village was destroyed by war. The husband is sweetly devoted to his wife and she has an enchanting, uplifting giggle. Their delight in being together is the most astonishing reminder that humans are going to human, no matter the conditions. They are going to love and lust and procreate and strive even in situations where I think there would exist no hope or joy. It's uplifting in a sad way. The film barely holds together other than a quick character study. Filming here could not have been easy.


When We Were Bullies

In which a film maker revisits a time when he and his classmates bullied a kid in the 5th grade. This is the second film he has made about this event. I appreciate that this film acknowledges that patriarchy harms everyone; it's not a point you see made by people who grew up in the 1960s very often. The short is almost a mess - it's a stream of consciousness attempt to make sense of the event. There is a completely shocking synchronicity in finding a classmate, a bewilderment about their own behavior that they seem unable to explain at any point and a teacher that thinks the movie will be tedious! There is a lot of quirk here and ultimately no closure. They do not speak to the kid that they bullied. I struggled with this and the film maker did too. All the classmates gather on film to talk about the victim of their attack and why he stood out and what made him an outsider. It feels wrong not to get his perspective or allow him to speak. The film maker acknowledges that they are basically treating him the same way they did in school. On the other hand, this exploration is not really about making amends. It is about self examination and coming to terms with your own wrong doing. It is about seeing that sometimes you don't get closure and you have to make yourself a better person anyway. I still can't help but feeling if I were the bullied kid, I would hate that this movie was made.


Animated

Robin Robin

In which a robin is raised by mice and has to learn to use their own strengths in order to feel a sense of worth and belonging. Very cute animation style and adorable story. My favorite piece in this category.


Boxballet

In which a ballerina experiences sexual harassment, falls in love with a boxer and retires. I spent a lot of time worried about the ballerina because she was drawn so exceptionally frail and willowy that she appeared a potential victim from the start.


Affairs of the Art

In which a woman talks about her sister who liked dead things and taxidermy before talking about how she is recommitting to her art. Her art involves encouraging an old naked man to fall down the stairs, which is amusing but also weird.


Bestia

In which a woman has a dream about cutting off her dog's head and perhaps torturing prisoners before ultimately killing them and also having some kind of sexual relationship with her dog (which may have been a metaphor for a man?) Not my jam.


The Windshield Wiper

In which several not fully connected vignettes explore attraction and desire between men and women in today's world. Conversations are seemingly overheard and someone asks "what is love?" and I felt myself shut down because I figured the rest would be pretentious.



 


Attica

Movie: Attica

Nominated for: Best Documentary Feature
How I watched: It was on Cable
When I fell asleep: I might have drifted a bit
When it had me: Pretty early
When it lost me: It left me with questions
What I have to say:
Attica is pretty much a study in tension the whole time. Watching the stand off between prisoners who have taken guards as hostages and the bloodthirsty authorities is a painful study of a situation with no possible good outcomes.

What was really ever-present for me is how easy it is to dehumanize others and once you do, there's nothing to stop you from committing atrocities. Prisoners are already dehumanized by society and their keepers; that's the complaint that led the incarcerated to 'protest' in the first place. There are loads of people in America content to dehumanize non-white people, if not because they want to hurt them, then at least because then they don't have to take time to care about their plight. That comes into play here where a mostly non-white prison population is guarded by a small town, upstate New York, all white, guard population. And lastly, once your own loved ones are under threat, the families of the guards become sick with a desire to murder every inmate inside those walls out of fear, out of grief, out of revenge, out of hatred. It's a horrifying layer cake of raw emotion.

In the end, you can argue than prisoners aren't supposed to have the same rights, you can believe that felons should not be trusted or respected, you can assert that a prison uprising must be met with decisive force, and even violence. But what you can't do is justify what goes down at the end of the stand off. I would hope fervently that any human watching that would agree. You cannot justify the lengths to which one group of humans decided to torture, humiliate, degrade and dominate another group in Attica in 1971. Please tell me that we can agree on that?

Free Guy

Movie: Free Guy

Nominated for: Best Visual Effects
How I watched: In the theatre, twice. Once on Disney+
When I fell asleep: Never
When it had me: Ryan Reynolds
When it lost me: Never
What I have to say:
This was the first film I went back to after the pandemic shut down. And I loved it SO MUCH! I took my family back the next day to see it again, and they loved it SO MUCH! The power of going somewhere again and then getting to feel light hearted and joyful! Wow!

Ryan Reynolds plays the naive extreme in this one; kind of like his own take on Elf, and it is delightful. That can be enough to carry a whole movie, but he doesn't have to do that this time. Lil Rel is here to represent a pure and beautiful male friendship, which is so hot, I can't even. Taika is making Taika choices as the villain which is always a really good time. Additionally, Jody Comer and Joe Keery have enough charm and believability that you can stomach a whole unrequited love thing, too!

The movie is pure cinematic joy and my favorite film of the year, consistently since I saw it. It's the film I needed and one that will be rewatched many times in our house.


Wednesday, March 23, 2022

The Worst Person in the World

Movie: The Worst Person in the World

Nominated for: Best International Feature, Best Original Screenplay
How I watched: Laemmle
When I fell asleep: I felt my eyes get heavy in the middle somewhere
When it had me: A Game of not cheating
When it lost me: I was in and out, I guess
What I have to say:
There is usually at least one International Feature that charms me beyond belief. I was hoping this one would be it and I got let down. I don't know what it's about, other than life. And choices. And perhaps the randomness of everything?

I'm struggling to say anything about this movie because it inspired no thought in me. Feels like I have hit the fatigue portion of my Oscar viewings. The main character is a little unsettled and capricious in her approach to life. She is far from the worst person. Perhaps it is expressing that she felt like the worst person in the world for not wanting children? That is understandable; I know people judge harshly when you don't conform to the social norm.

She does sketchy things, she does kind things. She is attracted to someone at a party and rather than cheat on their partners, they spend the whole night thinking of weirdly intimate things to do that aren't cheating. That was the one really charming scene for me. Otherwise, I was just there watching and wondering why.

It had a twelve chapter structure that oddly made the film feel longer to me as it began functioning as a countdown. There were times when the narrator would narrate the conversation while the characters were also having the conversation and that felt clunky and annoying to me. I felt like there was a bright personality to this film that was a little lost to me by my language barrier. I've got to keep looking for my charmer!

Ascension

Movie: Ascension

Nominated for: Best Documentary Feature
How I watched: Paramount+
When I fell asleep: Nope, morning viewing
When it had me: I was in and out
When it lost me: Watching people on water slides
What I have to say:
This was a very strange documentary. No talking to camera, no interviews, no recognizable documentary structure. Instead, you are a fly on the wall for...umm, well a lot of stuff. There are people being hired to work in factories, people working different jobs, people in training seminars, people on vacation, people at dinner parties. And you just sort of observe everything.

The film begins and ends with a quote "I ascend to find that everything has already been razed." I felt in watching the film that it was about the life of the worker in China and the changes happening to what that looks like. China's economy is flirting with capitalistic principles and this film seems to want to capture that notion in a sort of visual poetry.

For a while I found it interesting to try and make the connections between one set of images and another. Why does she juxtapose these workers with this speaker? But eventually I grew weary of guesswork and tried to let the images wash over me. When the film settled into a water park for what felt like a very long time, I really wanted out. I had no earthly idea why it was important for me to see that at that moment and I had lost all thread of what the film maker was going for.

There are interesting vignettes throughout but I found it too loosely assembled to work for me as a whole piece.

Three Movies I Barely Remember ( Animated Edition): Luca, The Mitchells vs. The Machines, Raya and the Last Dragon

Disclaimer: The following are movies watched during pandemic times from which I have trouble recalling specifics.


Movie: Luca

Nominated for: Best Animated Feature
How I watched: Disney+
When I fell asleep: No
When it had me: Italy!
When it lost me: Mai (Never)
What I have to say:
This was a fun and totally beautiful movie! Silenzio Bruno was such a great battle cry, except that now we don't talk about Bruno, so that got confusing. It was a fun reminder not to automatically fear and try to kill those who are different from you and whom you don't understand. I remember liking all of the characters.


Movie: The Mitchells vs. The Machines

Nominated for: Best Animated Feature
How I watched: Netflix
When I fell asleep: Never
When it had me: All the way
When it lost me: No way
What I have to say:
Utterly wacky style! Like watching an ADHD brain exploding and trying to tell you everything all at once. So fun to take in information in all the different ways they communicate in this one. I remember that this was truly funny and that the story tellers absolutely LOVED all of these characters and treated them with such care and respect. Super heart warming and my kids were thrilled with some LGBTQ representation.

Movie: Raya and the Last Dragon

Nominated for: Best Animated Feature
How I watched: Disney+
When I fell asleep: I don't think so
When it had me: Snark
When it lost me: Somewhere in there
What I have to say:
This one is hardest to remember. I wasn't looking forward to it but I ended up enjoying it. When I try to remember it I get it confused with Shang Chi. They both had some dragons and secret locations that had to be defended. The main character had some snark and called a dramatic warrior "Princess Undercut" and I laughed out loud. I'm sure it had a good message? Something about needing to give trust first in order to receive it. And there was a creepy baby! I don't remember much else.

Tuesday, March 22, 2022

Summer of Soul

Movie: Summer of Soul

Nominated for: Best Documentary Feature
How I watched: Disney+
When I fell asleep: I think I drifted once or twice and had to go back
When it had me: The music!
When it lost me: A huge question!
What I have to say:
This was a joyful and surprising piece about the 1969 Harlem Cultural Festival. The music is so amazing and there is so much to cover after six weekends of performances. It is astounding that I have never heard of this event that took place the same year as Woodstock. It is also amazing to imagine them pulling off an event of this magnitude with what seemed to be a relatively small budget.

This is the rare Oscar documentary that is FUN to watch and it treats all of its subjects, not just with respect but with reverence. It is a celebration of music, of black culture, of history, of New York and of unity. 

The ONE thing that drove me crazy was that the movie opened by saying the footage of the concert had been packed away and 'lost' for all of these decades and I kept waiting for the story of how they were rediscovered and how they came to be in Questlove's care. It seemed insane that question was never answered. Nonetheless, I could see wanting to watch this documentary over and over again.

Monday, March 21, 2022

Three Movies I Barely Remember

Disclaimer: The following are movies watched during pandemic times from whence I have trouble recalling specifics.


Movie: Cruella

Nominated for: Best Costume Design, Best Make-Up and Hairstyling
How I watched: Disney+
When I fell asleep: Nah
When it had me: Very cool costumes!
When it lost me: So many times!
What I have to say:
I feel like a bad Disney fan but this movie did nothing for me. Too many song cues stacked right on top of each other (even though all of them were cool as hell.) Too little resemblance to the villain we know this character is going to be. Not enough basic logic. It was a romp that I should have had fun with, but didn't.


Movie: No Time to Die

Nominated for: Best Sound, Best Original Song, Best Visual Effects
How I watched: Prime Video
When I fell asleep: Often
When it had me: Ugh. No.
When it lost me: I honestly don't know
What I have to say:
The Daniel Craig Bond is the one I have enjoyed the most. Even so, with each ensuing movie, I have grown more tired and less tolerant of the whole game. I slept through large portions of this movie and felt angry for most of the parts where I was awake. I don't even know what to tell you about what did not work for me. I just didn't care. At all. We didn't hit it off and it made for a very painful date.


Movie: Shang Chi and the Legend of the Ten Rings

Nominated for: Best Visual Effects
How I watched: In a Theatre!
When I fell asleep: No way
When it had me: Awkwafina
When it lost me: No
What I have to say:
This one I remember really loving, though it feels so long ago. I know my favorite thing about it was the best friendship between the two main characters and how they did not force it into a romantic relationship; they just let it be the magic of a really close friend. I thought that was beautiful. There was a magical land in China that was super cool and full of awesome characters and some weird animated creature. I don't know! I had fun!

Sunday, March 20, 2022

House of Gucci

Movie: House of Gucci

Nominated for: Best Make up and Hairstyling
How I watched: On Demand
When I fell asleep: No, though we watched it over the course of two days
When it had me: Lady Gaga is great onscreen
When it lost me: Jared Leto overdoing it
What I have to say:
Here come my lowered expectations, again. I went in thinking this was going to be a heap but I thought there was some good film making going on. Nice editing, lovely acting moments from Lady Gaga and Al Pacino, and pretty nice story telling for one of those biopics.

Most surprising was the fact that I actually didn't know what was going to happen. If I'd ever actually heard about the Gucci family "drama" then I had completely forgotten it so I had no idea how this would turn out.

I found myself wishing this film had been made in Italy so I could see all Italian actors playing the roles. Jeremy Irons is just so English. Adam Driver was mostly wooden, which may have been the purposeful choice, so that's fair. Jared Leto was painful to watch, way over the top for me but also kind of comic relief? Al Pacino was on in like maybe two scenes and sleeping through the rest. I found Salma Hayek to be more interesting in this film for playing something other than a gorgeous woman. Lady Gaga was definitely the one who shined and found real moments of vulnerability and also showing us a person manipulating, with a credible balance between her underlying motive shining through and a very believable outward facing facade, which is a fun kind of challenge.

A usual complaint: it was so very LONG. I wish they could have trimmed it down by about 30 minutes.

Friday, March 18, 2022

Encanto

Movie: Encanto

Nominated for: Best Animated Feature, Best Original Song, Best Original Score
How I watched: Disney+
When I fell asleep: Nah
When it had me: Surface Pressure
When it lost me: I had questions
What I have to say:
Once again with Disney animation, I sort of drug my feet and didn't want to watch it but then I enjoyed it. I don't know what my deal is. I guess I'm just bracing for their first huge flop in a while since they have been on such a roll for so long.

The song Surface Pressure was the moment in the movie where I sat up and took notice. That's when I felt like they were really going to express some real truth we hadn't seen before. Likewise with We Don't Talk About Bruno expressing the ugly truth of the family outcast. It was powerful to watch how a family with generational trauma can define success in one narrow way and then put enormous pressure on all members of the group. The traumas create prejudices and blindspots which prevent everyone in the family from being able to just be who they truly are.

All that said, I had such trouble with the Madrigal family. They were so brutal to Bruno and to Maribel, crushing them under their lack of conformity. Even though I didn't identify the grandma or the enabling aunts and uncles as outright villains, I could not relate to anyone and it made me uncomfortable to be around them. I just wanted Maribel to leave and not take on the whole job of healing all of these people that had no problem relegating her to a lifetime in the nursery, with no real space or respect.

I also struggled with the logic of the story. It is not clear to me why Maribel did not get a magical door of her own. It is not clear when others can see the cracks forming and when they can't. Does Maribel have visions, like Bruno, or is she just paying closer attention than the rest? Is Bruno's vision correct about needing to embrace her horrid sister? Was that part of the actual requirement to saving the house or did he just not watch long enough and misinterpret that whole thing?

There's a lot of beauty and truth in this one and also, for me, a lot left unanswered.

Thursday, March 17, 2022

Tick Tick Boom

Movie: Tick Tick Boom

Nominated for: Best Actor, Best Film Editing
How I watched: Netflix
When I fell asleep: Morning Viewing!
When it had me: Michael's new apartment
When it lost me: Not really
What I have to say:
 -- a review mostly written from the depths of Omicron --
I have a degree in theatre and I am "supposed" to like musical theatre, but it's not my favorite, generally. This movie was recommended to me and I drug my feet a bit. Then I watched it and it destroyed me. Some really ugly crying happened. To be fair, I've been crying a lot anyway, what with half of everyone I know having Covid and constant anxiety surrounding sending my kids to school everyday in this health crisis. But still, Andrew Garfield is a delightfully wonderful singer and acts the hell out of this story. I've had a lot of mixed feelings about him as a performer and I didn't have any idea he was capable of a performance like this one. Between this film and Spider-Man: No Way Home, my respect fro him has sky-rocketed this year.

Tick Tick Boom reminds me that the purpose to making art is simply to make art. It is a thing to do because we love it, because we need it, because it informs our lives. We should not make art because we want to make it big; that outcome is never assured. Do many of us hope to be able to make a living doing the thing we love? Yes, we do, but I have so much respect for artists that just figured out how to do it without it being easy. We'd be robbed of so much good art if we only had art, movies, books and music that were easy to get produced and released into the world.

There are lots of fun cameos in the movie and then it reminds me of the AIDS crisis and I get super sad and cry a lot more. It wasn't an easy watch for me but it was super good.

Wednesday, March 16, 2022

Spencer

Movie: Spencer

Nominated for: Best Actress
How I watched: Prime Video
When I fell asleep: Not really
When it had me: Did it?
When it lost me: Opening Credits
What I have to say:
My Backstory: First, I'm admitting to not being a Twilight person. I don't understand any of that. Kristen Stewart appeared to be in so much physical discomfort during those movies that I thought that was her only acting trick. But I liked her as a child actress in The Panic Room and I also enjoyed her performance in Still Alice. So when people make fun of her lesser performances now, I really want to see her make a strong comeback! I'm cheering her on.

Now she is nominated! For an Oscar! And I am loathe to report that I basically thought everything about the movie was horrid. 

Your first (and most important) cue comes right in the opening credits when a title card tells you this movie is "A Fable based on Tragic Events" (or something close to that.) Oh no! I really wanted to turn it off right then. This is going to be a fable? About real people? Ugh. I felt like they were saying, "We like Princess Di so we decided to make up a bunch of stuff about her!" Great. Now if I learn some interesting tidbit I can just not trust that anything is true. And NOW I can spend two hours watching someone's else's fantasy about the famous Princess? Or engage in your prolonged speculations?

Kristen Stewart opened the film with some weird head bob when speaking and lost all of us in the first few minutes. Then there were dance sequences, dream sequences, a lesbian who wasn't real, a weigh in ceremony that may or may not be accurate, a ghost queen, and a recurring scarecrow. Even though I was almost able to connect with one or two small moments, this was an indecipherable mish-mash for me all the way through.

Tuesday, March 15, 2022

The Tragedy of MacBeth

Movie: The Tragedy of MacBeth

Nominated for: Best Actor, Best Cinematography, Best Production Design
How I watched: Apple TV
When I fell asleep: Nay
When it had me: Witches!
When it lost me: Intermittently
What I have to say:
I watched this with my daughter which was awesome because she can recite large speeches of it from memory. She did and I loved it. I am a HUGE Shakespeare geek! I love to see these plays remade over and over as fast as you can reboot Spiderman! I like to see actors get a crack at these well known characters and directors get a shot at envisioning a new interpretation. That being said, movie versions of Shakespeare almost always seem to leave something to be desired. These plays are well suited to big acting and a little scenery chewing which is so lovely in person and too much to handle in a close up on screen.

In Joel Cohen's version, I first loved his visualization of the three witches in one actor who is gifted with extreme physical performance and a wicked vocal rending as well. It was super cool! It comes right at the beginning and is arguably my favorite part of the whole thing. I also liked the character of Ross in his fancy dress and taking more of a corrupt, driver seat role in this version.

Denzel's MacBeth was imbued with a lot of fear and instability which I found vulnerable and compelling. Frances' Lady Mac was solid and even more powerful in light of the decision to have the main couple portrayed as older than the usual casting. Their machinations read more as a last grasp for power and relevancy instead of a young and ambitious bid. The whole picture was just a tad more desperate.

Production Design was almost all relegated to lighting, with an overall style that was so aggressively German expressionistic that it began to detract from the overall film for me. The natural vistas where the witch is spotted and the depiction of Birnham Wood were very real and grounded, so the castle being nonsensical by contrast was a jarring choice.

If you didn't see this already, please treat yourself to Ethan Cohen's "review" of his brother's first solo effort. It's a beautiful study in sibling resentment and long held grudges, Shakespearian in its own scope and drama!

Monday, March 14, 2022

Being the Ricardos

Movie: Being the Ricardos

Nominated for: Best Actress, Best Actor, Best Supporting Actor
How I watched: Prime Video
When I fell asleep: I got a little sleepy
When it had me: Structure!
When it lost me: Nicole a little bit? Maybe?
What I have to say:
I double and triple checked it and I'm shocked that this did not get nominated for writing! That is, after all, where Sorkin shines and it's no different in Being the Ricardos. I don't know if this is adapted or not but I'd replace either Power of the Dog or Licorice Pizza with this script.

Biopics always suffer from weak structure. You have to depict real events and life doesn't always follow a strong three act program. Aaron Sorkin places all of this drama inside a one week production schedule allowing tension around finances, marriage, career, betrayal, friendship and yes, communism to play out during a series of readings, rehearsals and production meetings. The structure is brilliant and effectively winds you up to a kind of fever pitch of wondering how the show is going to make it to air! I already knew what was going to happen and I still felt all the suspense of the moment. THAT is amazing writing from my viewpoint.

Did he cram all of that drama into one week even though it is not technically accurate? Yes, he did. And though you may consider it cheating to do so, I am giving it a pass because it served the movie well.

I'm going to be honest, I did not want to watch this movie. Something about Nicole Kidman (who has become quite robotic for me in recent years) playing the dynamic Lucille Ball just didn't feel right. On the one hand, she did a damn solid job of embodying the character. On the other hand, Sorkin's intense plot line and terse dialog did not require her to eclipse a robotic performance by much. I didn't enjoy seeing Lucy be a fairly joyless character, but I can't be sure it's not accurate either.

I enjoyed this movie much more than I anticipated and that's always a nice surprise.

Friday, March 11, 2022

The Eyes of Tammy Faye

Movie: The Eyes of Tammy Faye

Nominated for: Best Actress, Best Make-Up and Hairstyling
How I watched: HBO Max
When I fell asleep: Nope, day screening!
When it had me: Tammy's tragic childhood
When it lost me: Third act drug on a bit
What I have to say:
Michael Showalter is dipping his toe into more dramatic projects and I think it's working. The Eyes of Tammy Faye is NOT a comedy but I still appreciate the differences that happen when someone with a sense of humor is directing a dramatic film. There is a bigger element of the absurd and an invitation to laugh at real life, rather than an emphasis on overdramatizing events.

Tammy Faye was not allowed to go to church and get saved as a child because her mom was embarrassed and scandalized by her presence (she was the daughter of a former marriage and divorce was frowned upon.) This info was delivered with a sort of frankness that simply acknowledged the strangeness of such a stance rather than amped up as a tragic moment. However, I still took it in as unbelievably sad! I can't imagine the pain of being a child raised in a religious family and being denied salvation. That is horrifying! It didn't need to be dramatized for it to have an impact on me and I think that's what I like about Showalter's approach.

So much of this movie was creepy. Both Jessica Chastain and Andrew Garfield have cheek implants at one point. I couldn't tell if the choice was strictly to make them look like those real life characters or to exaggerate their constant cheerfulness! It was a little off putting but effective nonetheless. The whole battle between religion being about finding a connection with God versus becoming a big profitable business is fraught with so much moral ambiguity (and sometimes depravity) and creates a lot of discomfort for the viewer. 

I never knew much about Tammy Faye, beyond her 15 minutes in the 1980s. It was interesting to learn that she was a very non-judgmental Christian and kind of a progressive hero within her own sect of Christianity. The movie does make her a likable, if totally tragic figure. 

Once the movie got into the scandal territory, I got impatient. I knew more of what had gone on in this era and I wished they would speed it up and manage a quick ending. That is so difficult to do in a bio-pic and this definitely felt like it lingered past any enjoyable dramatic arc.

Thursday, March 10, 2022

The Lost Daughter

Movie: The Lost Daughter

Nominated for: Best Actress, Best Supporting Actress, Best Adapted Screenplay
How I watched: Netflix
When I fell asleep: I didn't
When it had me: Olivia Colman
When it lost me: The ending threw me
What I have to say:
The Lost Daughter was Maggie Gyllenhaal's directorial debut and I thought it was brave and candid. Olivia Colman was so fantastic in the role of a book editor with adult children on a solo vacation. She brings such unpretentious, relatable human feeling to her work and I think it can be absolutely magical at times.

This film put some things on the screen that I haven't quite seen depicted this way before: the struggle of being out of place, the harsh judgment of unexpected life choices, the balance between boundaries and unnecessary stubbornness and the inclination to be a bit devious for no obvious purpose. All of these played out in very small moments that feel so real to me that I sort of felt seen and guilty for feeling seen at the same time.

The movie carried with it that sense of guilt and defiance throughout. Most dramatically so in the depiction of a mother who did not do her job to the standards of society. A mother shouldn't be stingy with her time, a mother shouldn't be preoccupied with sexual needs, a mother should never prioritize career first. I felt the discomfort of all of these tensions. However, much like I touched on in my review of Flee yesterday, Maggie Gyllenhaal is not only imparting the story of a mother, she is giving us the story of a fully fleshed out human being who happens to be struggling with motherhood and that is a WORLD of difference. THAT is a breath of fresh air as a matter of fact.

The Lost Daughter danced on the edge of magical reality a little bit. So much so that I got confused at times. Is this real? Is this metaphor? Am I supposed to take it all at face value? The end was particularly suspect to me; it feels very open to interpretation. But I don't mind that there were moments I had to muddle through, Gyllenhaal still gave us something special.

Wednesday, March 9, 2022

Flee

Movie: Flee

Nominated for: Best Foreign Language Picture, Best Documentary, Best Animated Feature
How I watched: Prime Video
When I fell asleep: Not a bit
When it had me: Kids running away from forced conscription
When it lost me: It didn't
What I have to say:
I have seen a lot of Oscar movies that deal with some aspect of being a refugee. I thought Flee would be the same deal, but with animation. However this movie really addresses a person as a full human being who has a refugee story as part of their life. It's a seemingly small difference but it felt like a big change.

Michael Harriot recently wrote about the difference between a movie that depicts black people as slaves and a movie that depicts a human being who is struggling with the system of slavery. He said in a 'Slave Movie', "Characters are reduced to being defined by their oppression and circumstances." And that has been my experience with 'Refugee Movies'. This movie provides a contrast. A large part of Flee is centered around his story of escaping first one country and then another to find a new start in a place that offers freedom and security. But it also addresses his personal life in the past and present. It also highlights his successes and career. It also addresses long term healing and trust and learning how to move on. It includes his love of cats! What that meant for me as a viewer is that I was spending less time sort of rolling around in the muck of his sad existence in order to really feel how bad it can be and I had more time learning about atrocities from a fully formed human that I can identify with, root for and respect.

I believe this movie is animated to protect the people involved. Being a refugee instills you with a lifetime of fear of being found out and sent back. Also, the animation allows for an extremely powerful choice to make by including images that are not animated and this film maker did not squander that.

I enjoyed this movie and found it to be powerful but it wasn't until days later that I was telling my husband about it and I dissolved into tears that I fully realized how much it had affected and moved me. I think I'll be thinking about this movie for a long time.

Sunday, March 6, 2022

West Side Story

Movie: West Side Story

Nominated for: Best Picture, Best Director, Best Supporting Actress, Best Costume Design, Best Sound, Best Cinematography, Best Production Design
How I watched: Disney+
When I fell asleep: I watched it early
When it had me: Look at their skin!
When it lost me: Main Actors
What I have to say:
Oh, dear and magical gods of film, this movie is SO beautiful! I was absolutely entranced by the first few minutes of staring at gorgeous color, heightened lighting and velvety luminosity! Just look at their skin! It sparkles and has a sheen with a tangible texture. Are they vampires from Twilight? It looks real in a way that real life never actually looks. The shine coming off of the classic cars makes them look like alien technology come to earth. Why have my eyes never perceived light as beautiful as this! I mean, it really excited me and freaked me out.

For a second, I thought that the brilliant Spielberg had finally found a way to film so that it looks like 35 mm film but BETTER and I was so excited! But no, it turns out it IS actually shot on 35 mm film and then I felt sad. Because no other movie this year looks this fantastic and we are slowly losing the art of it and the luxury of feasting our eyes on it. If you are not a fan of musicals, pull up the movie, fast forward to the 'I Want to Be in America' song number and just watch that while focusing on their skin. Let it BLOW your mind just for the fun of it. And then turn it off, because the movie is not that great.

Whoa! Sorry for that sucker punch! I'm not a fan of West Side Story to begin with (which is crazy because I'm a fool for its source material, Romeo and Juliet. I think I love the language which doesn't carry over.) While Ariana DeBose (nominated) is brimming with charm and screen presence, neither of the main characters can even come close to competing. I just kept losing interest when they were on the screen. I'd have to wait for another lighting cue to light up my brain.

Ansel Elgort as Tony is cold, bland and looming. He looks at Maria like she is a country that he wants to colonize for Britain (even though he is Polish.) It never looked like a real connection. We don't look at love stories the same way that we once did and its impossible to embrace Maria's naive and instantaneous attachment to Tony. My kids were like, "What the hell is going on here?"

Rita Moreno is wonderful as a new character, Valentina, that helps Tony. The single strongest choice I saw in the film was to have her sing the ballad Somewhere. It ceases to be a personal song about two people that want to disappear together for their own romance and makes it a song about a community. Perhaps she is looking for a place for Puerto Ricans to live peacefully, or all lovers, or all the humans that are sick of the way we squabble over race, territory and power. I found it to be a very moving adjustment. I bought the song coming from her place of generational wisdom in a way that I never have before.

If you love this story, or you love golden age musicals, you will adore this completely. It was not in my wheel house to begin with but I personally would just give Janusz the Oscar now because I have never felt so swept away by the way the light struck the film. 

Thursday, March 3, 2022

Licorice Pizza

Movie: Licorice Pizza

Nominated for: Best Picture, Best Director, Best Original Screenplay
When I fell asleep: No. Day Screening
When it had me: Specific characters
When it lost me: I won't say it lost me but I was mildly in it
What I have to say:
I am forever in awe of the power of expectations. I have three friends who really did not care for this movie so I set myself up for a real stinker. I was ready to hate on it and pan it and write a funny review. However, I went in with the bar set so low, the film couldn't help but reach and even exceed that bar and I ended up enjoying this movie. If I had watched it after seeing a string of commercials telling me that this was a masterpiece of film making and a "triumph", I definitely would have felt let down.

What felt magical to me about this movie was the specificity of many of the minor characters; an agent with an intense facial twitch, a grizzled old producer who orders people to do insane things with such authority that they comply, abusive stars and psychopaths. We've seen these kinds of characters before but there was an attention to detail and absurdity to these people that I was instantly positive they were completely true and I enjoyed the feeling of "you can't make this stuff up."

Another positive for the film is that it basically sets up tension around the "will they or won't they" question between two people who should definitely be a hard no but over the course of the film you forget about the proper boundaries. Or at least, I did. This film was filled with moments, sprinkled with a beautiful shot here, a great music cue there, a solid callback here, a hilarious line there. I enjoyed all of these moments and I still don't really know that they added up to more than the individual moments. 

I'm struck by the fact that Paul Thomas Anderson is nominated for Best Director for this but the movie doesn't get any other category nominations. So what directing did PTA do that was worthy of the nomination? He didn't direct any of the actors to their own nominations, he didn't have such a strong vision that cinematography or production design was recognized, his sound and music did not get noticed. He wrote it and got acknowledged for that but what did he do as a director that earned him the look? Is it just that the whole story is so personal that the movie IS him in a way? Is it because the people who vote really like him? Do people appreciate that he cast some unknown people or did a good job of depicting those real specific characters that I enjoyed?

I don't mean to make it sound like I don't think he deserved the nomination, I'm just trying to understand how these things work. On the other hand, you have Denis Villeneuve whose Dune is nominated for Picture, Sound, Editing, Cinematography, Costumes, Make Up and Visual Effects but he did not get a nod for directing. Do we assume that he had nothing to do with all of those departments excelling? Do we think his material just sort of makes itself? Am I looking for a rhyme or reason that probably does not exist? Most likely.

Licorice Pizza might just be an insider movie and so maybe he has a better chance of winning than I realize. It could be filled with more inside jokes than I realize. For example, the title is the name of record shops that existed in LA at the time. They don't tell us that in the movie, but for those who remember, which could be a percentage of the voting Academy, the words are poignant.

Tuesday, March 1, 2022

King Richard

Movie: King Richard

Nominated for: Best Picture, Best Actor, Best Supporting Actress, Best Original Screenplay, Best Film Editing, Best Original Song
How I watched: Apple TV
When I fell asleep: I don't think I did
When it had me: When their home court was gang territory
When it lost me: Too much arguing about competing
What I have to say:
This, movie, like CODA, was a solid, enjoyable movie that I don't think I would have considered an Oscar pick. Good story, good acting, nice structure for a biopic kind of piece.

What was jaw dropping was to realize the sheer audacity of Richard Williams to break his daughters in to a predominantly white sport. To seek to become elite in tennis is bold but to also seek that from an inner city LA starting point with all tradition against you is straight up crazy. To be that crazy and achieve it anyway, well, I guess that's the kind of story that makes you Oscar-worthy. I enjoyed really seeing that part of the journey and gaining even more respect for Venus and Serena Williams than I already had.

Where I got lost was in one too many arguments about when Venus would compete. I know we were witnessing the stubborn persistence of "King Richard" but it was also too many scenes of the exact same argument with no forward progress for me. I got antsy and just wanted the film to get somewhere.

I'm glad I saw this movie and I also don't think it is a serious contender.

Sunday, February 27, 2022

CODA

Movie: CODA

Nominated for: Best Picture, Best Supporting Actor, Best Adapted Screenplay
How I watched: Apple TV
When I fell asleep: Didn't
When it had me: When I learned that deaf people are noisy!
When it lost me: I don't think it did
What I have to say:
CODA stands for Children of Deaf Adults. This movie follows a family of four with only one hearing child. I love that deaf actors are getting so many more roles these days. That seems to be the primary reason for this film's nomination. This is a solid movie, an enjoyable movie. Also a movie lacking some extra oomph that makes it feel like a traditional "Oscar Movie". 

I don't mean that as a complaint. The idea of an "Oscar Movie" is so subjective and often silly. There is such a stereotype that it's only fit for the Academy if there is an actor transformation, an ugly crying scene, Nazi atrocities or cutting edge film technology. This movie isn't any of that, which makes it feel mild by comparison. However, I'd rather we include ten nominees, allow for some mild films and showcase actors who aren't usually a part of the norm.

I learned some things about living with and as deaf people, which was great. I cried a few times, so they definitely had me invested. I enjoyed all of the characters and their arcs. In fact, now that I think about it, this was an original story that wasn't a reboot or a sequel or based on a comic book. Maybe this movie is a unicorn, because it is exactly what they say doesn't get greenlit in Hollywood anymore!

Thursday, February 24, 2022

Don't Look Up

Movie: Don't Look Up

Nominated for: Best Picture, Best Original Score, Best Original Screenplay, Best Film Editing
How I watched: Netflix
When I fell asleep: Nope
When it had me: Right when they made the calculation
When it lost me: It didn't
What I have to say:
This movie was really triggering for some people. I found it quite funny and only mildly disturbing. I think the story of a meteor heading toward earth was meant to be an allegory for climate change. It served just as well as a commentary on the pandemic. I found it cathartic to laugh at how unforgivably stupid we all are (although certainly some much more so than others.)

Some characters serve as archetypes while others feel like more direct stand-ins for actual figures. The gleeful insanity of humanity is painted in such a way that I sort of love us as much as I hate us when watching it. We are SO TERRIBLY flawed, how can we hope to do better? Maybe we REALLY are doing our best. And a recurring joke about a general who charges people for snacks made me so incredibly happy to see my kind of ruminating brought to life on the screen.

The tone of the movie seemed like a tricky one to pull off. It dares us to laugh at ourselves and never quite feels as angry or resentful as I would expect it to. After all, it's a movie that says we are valuing wealth and fame over intelligence and seriousness and it will literally mean the end of all but the very richest of us. I don't think anything about that premise is an exaggeration, or even wrong. It tells us the best we can hope for is to die in good company. It seems depressing and fatalistic but is it wrong? 

The strongest move in this film, for me, was to include seemingly random cutaways to nature, animals, vistas and people from around the world, often poor people, just living their lives. In the midst of this wacky send-up we are being reminded without overt comment of everything we have to lose. That coupled with a line by Leonardo DiCaprio in the final scene, "We really did have it all, didn't we?" make this movie transcend from straight satire to a bittersweet love letter to a planet that is hurting from the ugly parasitic species that is doing the harm. I continue to be a fan of Adam McKay's pull-no-punches film making.

Tuesday, February 22, 2022

Nightmare Alley

Movie: Nightmare Alley

Nominated for: Best Picture, Best Costume Design, Best Cinematography, Best Production Design
How I watched: HBO Max
When I fell asleep: I did not
When it had me: Creepy carnival? Right from the start!
When it lost me: I don't think so.
What I have to say:
This movie was right in my sweet spot. Nightmare Alley has everything! Art deco, noir, fringes of society, Cate Blanchett, Bradley Cooper, murder! Ok ok, I'll watch! Most of all, it was very beautiful.

I loved getting a peek behind the curtain into the tricks of scam artists! We all feel like such mysterious tortured individuals, but in reality, we are very predictable humans with a fairly narrow and universal emotional breadth and life experiences. Those who are willing to see us through that simple template are able to prey upon our feelings of stark uniqueness and manipulate us with ease. Psychology can break down the common human experience and use it to help us see ourselves more clearly and help heal our wounds. And scam artists can monetize that knowledge and give us some degree of relief in exchange for a steep price. And if either can help us, should we judge which way a person gets relief?

This movie is a remake from the 1940s and based on a book. I enjoyed the inclusion of knowledge of trauma and the way it changes people in this movie (I'm assuming that's a new touch in Del Toro's version). Trauma gives some of us superpowers by making us hyper-vigilant and extremely in tune with the shifting, nuanced emotions of others. If you learned this as a survival mechanism, you might make a great mentalist too!

Nightmare Alley has a nice sense of tension and impending doom. I keep needing to edit myself in order to avoid spoilers, so let me cut this short!

If I could go live inside this movie for a day and just be an assistant to Cate Blanchett in her sleek art deco office, that would be the cat's meow. This is the only movie so far that I wanted to UHaul, so that's notable!